Thursday 9 February 2023

Part 4 The Making of JOAN - Researching Nicholas Flamel

Researching Nicholas Flamel 

History was now getting very interesting.  Nicholas Flamel and his wife Perenelle lived in the early part of the 14th Century which was filled with rumours of magic, stories that legends are made of, and Nicholas was an alchemist, a scientist, an educated man. He owned his own bookshop and was a scrivener to all. Despite being a strongly religious man he was attributed with discovering how to turn lead into gold. 

Years later he, more than his wife, was said to have discovered the secret of immortality, a blasphemous accusation for any religious person. He was simply an alchemist, a man of science, a scrivener and bookshop owner living a simple life, giving whatever he could to those less fortunate than himself. 

He and his wife created sanctuary for the homeless, a refuge in Paris that still stands today in the form of a Restaurant. They did so much for others that their memory has been immortalised for centuries – despite being given the accolade for his discoveries, none of it has been proven, but then what is this we now find...?

Part of my research uncovered a treasure of a find - an Elixir for Longer Life! 

Is this what people have been considering as the elixir for immortality? During medieval times it would have been normal to live for forty maybe fifty years on average, it could be seen therefore, anyone living beyond those years, when the rest of their family or friends were dead, could be considered immortal!

The discovery I found is called Chartreuse: Elixir de Vegetal and consists of 130 flowers, plants and herbs distilled in alcohol and is produced by the Carthusian Monks using a closely guarded secret recipe that dates back over 400 years. It is said to have been prescribed by French doctors until recent years as an actual medicine as a potent medicinal liqueur.

The elixir should be consumed in tiny quantities. Only a couple of drops are needed

* in a cup of hot water, Lemon and Honey,

* in a tisane,

* as a "bitter" to add strength and flavour to cocktails, 

* on a sugar cube.

Known as an "Elixir of long life" the Elixir Vegetal is believed to have health giving properties and can be taken to:

* ease Digestion,

* cure tiredness, sickness and discomfort,

* restores a sense of  wellbeing and vitality.

The Elixir Vegetal needs to be stored in its own protective wooden case, away from the light, to keep it in perfect condition.

Additionally, which I think adds to its mystery, is the fact that only three monks ever know the recipe at any one time. Two know only half the recipe each whilst the third knows when and how to bring them together for storing in the wooden barrels in the cellar of their monastery.

For more modern day use the Elixir has been developed into a slightly lower volume alcoholic liqueur sold as its natural colour of green or with honey where it turns into a yellow coloured liqueur suitable for the more popular cocktail / wine bars of present day.

Out of curiosity, I bought a bottle of the Elixir de Vegetal and took some.  Strangely enough, within three weeks of starting the three drops a day on a sugar lump, my platelets, which had been low for five years and needed monitoring every three months, returned to normal... go figure... FASCINATING!! J

 Chartreuse: Elixir de Vegetal is available on Amazon Prime


Thursday 2 February 2023

Part 3 The Making of JOAN - Researching Punch & Judy Shows

Researching Punch & Judy Shows

It is interesting to see the variations of the same puppet show. Though there are hundreds of puppeteers performing Punch and Judy all over the world, they are all different yet someone, in essence, the same. It is amazing to see how one show can be interpreted in so many ways and still maintain its originality.

Punch and Judy was based on Commedia dell arte, so I decided to keep researching the history of the theatre-style. I found that each show was different, because there was no script to follow. The performers would improvise around a theme or topic, often making it comedic and lewd. This was totally politically incorrect by today's standards! The performers would flaunt authority and mock nobility.

Finding out about Joan was fascinating to me, considering I never had an interest in history before. It was exciting to be learning something new that I was actually interested in. 

My story looks at the story of Punch and Judy from the perspective of Joan herself. She'd be outraged by the way society today perceives her shows; Joan's shows are about her family and friends, her loved ones! Why are they so much against her? More to the point how could she be outraged today, if she was over 450 years of age?

She would have had to have been born long before Samuel Pepys even wrote about Punch and Judy on May 9th, 1662. My eldest son posed the question: how could this come about?

Is she an old retired puppeteer who has lost her mind? Has the puppeteer got dementia and believes herself  to be Judy? Is it that she's a schizophrenic who has become obsessed that she is Judy? NO! I didn’t want MY Joan to be a sick old lady. She had to be strong, confident, resilient... a survivor of all that life has thrown at her over the years! She would be the one to tell her own story.

It was while pondering the dilemma that my eldest son set for me that my youngest son asked if I'd heard about Nicholas Flamel and the elixir of immortality? Like many, I'd only heard of him through the Harry Potter books by JK Rowling, but apparently he had been a real person. So from researching Punch and Judy shows, to Commedia dell arte I was now off on a new line of research, that of Nicholas Flamel. According to my son, Nicholas Flamel was a French philanthropist, who donated much of his wealth to hospitals and charities. He also happened to be an alchemist who discovered the Philosopher’s Stone, which supposedly could turn any metal into gold. And as if that wasn’t enough, he was also said to have found the elixir of immortality. Now I was really interested!

https://www.amazon.com/dp/B08HKQDQDS
https://www.amazon.co.uk/dp/B08HKQDQDS



Thursday 26 January 2023

Part 2 The Making of JOAN - No two performances are alike

No two performances are alike

The retired puppeteer Pat seemed perfect for what I needed- a local female Punch and Judy performer with the right voice. I approached her and explained the story I was writing in my mind. After outlining it to her, she told me that what I was about to write would be very powerful stuff.

Was I prepared to be questioned about my experience with Punch and Judy? I wasn't! I hadn't seen many Punch and Judy shows. I knew, like most people, that they were all different because the script itself is never written down for anyone to repeat. Traditionally, Punch and Judy are like their counterpart Commedia dell Arte whose plays change with the times and the political views. They carry "the news" to their audiences everywhere they go. And so does Punch and Judy.

Puppeteers have been using similar characters for centuries, dating back to Commedia dell'arte. When Mad Cow disease was in the news, Professor Brian made the statement on his show that Mr. Punch wouldn't eat beef sausages. This made front page news for him locally. However, after researching lots of different stories from various puppeteers, I discovered that they all had the same stock characters.

Mr. Punch, Judy, and Baby, of course, plus Scaramouche and his little dog Toby, who for many years would be a real dog, a black puppet who loved to sing and dance, a clown, a devil, a doctor and an executioner or hangman, plus a policeman or equivalent through the ages representing authority figure – Oh yes, and not forgetting the crocodile. Everyone else depended on the latest news or celebrity.

I searched for a long time to see a full show online without any success until I came across one in Adelaide Australia ‘Prestons Historic Punch and Judy’

Part 1 https://youtu.be/a-yPfrcS2Zo


Part 2 https://youtu.be/NsTbFHlgcMA


Part 3 https://youtu.be/QuHtWIss5bY





Thursday 19 January 2023

Part 1 The Making of JOAN: put on a happy face - The TV Interview on GMB

The TV Interview on Good Morning Britain 28th July 2018 

(The beginning of the rest of my life...)

It was 28th July 2018 and I was watching a TV interview on Good Morning Britain that had one of my entertainers (Professor Brian Llewellyn) being interviewed about his puppet show Punch & Judy. One of the guests (Tricia Goddard) was making an issue about the domestic violence aspect of the show asking if the Professor had considered changing the storyline to accommodate present day attitudes and do a Punch and Judy show without the violence.

As an entertainer myself, I know how important it is to keep up with the times and make sure that our shows reflect the values of today's society. However, I also believe that there is a place for traditional entertainment like Punch and Judy. Violence is a part of the human experience, and I don't think we should shy away from that in our art. What do you think?

Good Morning Britain interviews Professor Brian Llewellyn



I'm so excited!

I'm so excited! I'm so excited and I just can't keep this to myself, but I've finally finished the first draft of my next bo...